We’ve got a brand new song! It’s called Broken Math:
Thanks for your support!
Manwomanchild has a new single out today called “Memory Leak!”
I love my Korg Volca Keys. For those who aren’t familiar with it, it’s basically a small, MIDI-controlled analog synthesizer.
In the past few months, I hadn’t been using the box as much as I felt I should be. Since the birth of my son, I’ve had a far less predictable routine for music composition. Instead of having prescheduled music time, I often find myself putting together beats across many stolen moments throughout the day. In such cases, I generally don’t have time to go upstairs, unplug the Volca Keys, unplug my MIDI interface, and bring it down to the kitchen or wherever I happen to be working. My solution to this problem was to make some multi-samples so that I could still incorporate the Volca Keys sound into my music regardless of where I happened to be.
Here’s what the waveforms look like:
I sampled each note over six octaves, set loop points, then turned them into multisamples.
Here’s a sample track (all sounds come from this sample pack except for the drums):
Check it out: We’re releasing our second album, Awkward Island, today. Recorded over the space of five years, and in three different cities, this album represents a substantial evolution in our sound. We can’t wait for you to hear it!
Here’s the album’s first single:
Check it out! I’m launching my podcast, Sample Size: 1, today. In the first episode, I explore the bizarre world of Fiverr, a website that lets you purchase services for five dollars. As an experiment in online music collaboration with strangers, I take one of my own songs and replace each instrument track with a new recording made by a Fiverr session musician. The episode chronicles the process and culminates in a version of the song produced entirely by the Internet.
While my influences are mostly in the 70s post-punk and to some extent glam-rock vein, I’ve been on a psychedelic kick lately. I guess this song is partly the product of that. The angular chord changes on some of those late 60s psych records really appeal to me, and you can hear elements of Syd Barrett / early Pink Floyd, Os Mutantes, and the Pretty Things in the melody here.
Lyrically, the song went through a couple of transformations, so it’s very different from where it started. It was initially about a group of mountaineers who climb Mt. Everest only to be arrested when they get to the top, but this first-person voice crept in and kind of shifted the song toward its current shape, equal parts gleeful and menacing.