Archive for the ‘bands i like’ Category

Presenting: The Manwomanchild EP

Monday, January 25th, 2010

Manwomanchild EP cover Check out the new EP here. Sign up for the mailing list and download all three tracks for free. Or, if you’re feeling flush, you can buy them on iTunes or Amazon MP3.

A little background info about the release:

David Child – Vocals, Guitars, Synths
Craig Gifford – Bass Guitar
Mason Neely – Drums, Percussion

The record was recorded in 2009 at Machine With Magnets in Pawtucket, RI. The album was recorded and mixed by Keith Souza and Seth Manchester.

The EP was mastered by Jeff Lipton of Peerless Mastering in Newton, MA.

–MANWOMANCHILD

Tortoise Live In-Store at Reckless Records, 10/4/09

Thursday, November 19th, 2009

Went to see Tortoise play about a month ago.

Audio (recorded with camera):

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Photos: Monotonix at the Logan Square Auditorium

Tuesday, October 6th, 2009

Monotonix Rocked.

Chicago Month 01

Sunday, October 4th, 2009

Concept-15bHi All,

This past month has been crazy. We’ve been doing our best to hit all the bars, coffee shops,  and art shows we could — we’re making up for lost time: getting to know a city that this time last year we had never once even been to. Last night we went to the opening of the Heartland Exhibition at the Smart Museum which was truly fantastic. Go to the official site here or see a write-up in the Huffington Post. So what was there? Let’s see: there was a great, great piece by Deb Sokolow. Check out her work here. This piece was sort of a sprawling, graphical, choose-your-own-adventure style mural made up of hundreds of bits of drawings and narrative text interlinked by arrows, dotted lines. Construction was partly on paper and partly stenciled directly onto the walls of the museum itself; a great delivery mechanism for the captivating and paranoid storyline. Speaking of narrative, it was also amazing to finally see some of Kerry James Marshall’s RYTHM MSTR work.  We had read about this originally on the PBS ART:21 website a while back, but couldn’t find a way to get our hands on any of it. The work was beautiful, brilliant, a completely unique vision. What else? There was an amazing dual-channel movie called Rites of Passage by Judika Rudelius (seemingly about young politicians coming of age), a feature length music video and documentary by Ssion. A giant boat with wings. Over all, an awesome show. Completely worth checking out if you are in the Chicago area.

OK. So music shows. What did we see? Well, we went to see Jon Langford at the Empty Bottle; also Psychedelic Furs and the Happy Mondays. Both shows were amazing. We were Psychedelic Furs fans before but we came out of that show having a now newfound respect for them. Their set was extremely tight and totally engaging, but moreover it really seemed like they loved being there, playing these songs that are now, what, like almost 30 years old? And Jon Langford…well, exactly what the doctor ordered really. We’re huge Mekons fans so it was great to see the man engaging in the sort of twangy bar music that makes that band so epic and mundane at the same time. He also played a Go-Betweens cover which really put the show over the top. What else? Well, tonight we’re going to see Monotonix at the Logan Square Auditorium. If rumors are to be believed, that show should be nothing short of legendary.

Okay, that’s it.

More soon, 
manwomanchild

Manwomanchild on the Internet

Thursday, January 1st, 2009

Mirror Mirror

Monday, August 25th, 2008

The other night we tried to get out of the house to go see a show. I checked lots of noise and it turned out there was this band, Mirror Mirror, that was going to be playing in Olneyville.  Well, we went to the show–it was in this old junky loft/factory space that we had actually been to a few years before (to go see DMBQ)–but when we got there the place was totally empty. There were a few people there — people who lived there and then one or two people who were I guess going to be performing. We took pictures of eachother in the pitch black and cavernous space that had been used for the DMBQ show and then went downstairs. This show was set to start at 10pm; we stood around, ambling from one disastrous room to another until finally, at like eleven, we just left.  Which is kind of a pity. I’ve been listening to this band, Mirror Mirror, for the last two days (since our failed attempt to see them live) and I’ve really liked it. Apparently, they have a full-length coming out in September, too…which I will be purchasing. O.K. That’s all. Later, R.K.

rk + missingtoof 4 eva

Wednesday, January 16th, 2008

Hi All.
I have so much to blog about I don’t know where to start. I’ve become a total junkie for missingtoof.com. I know, it’s not the kind of music I’ve ever shown myself to be into and I have to confess I don’t really understand their ethos. Really, the more I read it, the more I realize that I’m simply not part of the hardcore dance remixing scene. At best I am an outsider, a spectator, a mere anthropologist, observing the native inhabitants with equal parts condescension and misguided wonderment, endlessly lamenting the loss of some mythical, “simpler time,” yet possessing no earnest desire to return to it. I bring disease.

This particular tribe seems to consist largely of people who fetishize very aggressively retooled versions of unexceptional techno-pop and indie-pop singles. It’s a wonder to me how varied the source material is: a remix of Kris Kross’ classic “Jump” which, to borrow some language from my brethren over at missingtoof (henceforth referred to as MT), “knocked out my dentals.” Said remix is available here.

The site is essentially just a blog. Every post consists of one or two songs that have been remixed between one and four times each by a different person/group. The bloggers provide meaningful insight into what we should expect from each track (Will it be “funky?” Will it be “heated?” Don’t tell me it won’t be.) and always seem to know a great deal about the people who authored the “joint” being hawked.
Easily the best thing about this blog is its dubious legality. Oftentimes tracks are referred to explicitly as bootlegs, other times they are mysteriously pulled because of publisher complaints, other times still original versions of the songs being remixed will be furnished (for the purpose of comparison) in all their high bit-rate glory. I’m telling you: this site is quite a masterpiece.
But RK, how do I make this part of my life? So here’s how my missingtoof experience works for me. Every morning I spend like four minutes downloading hundreds of crusty remixes all of which are rumored to be totally “slammin’”/”kickin’”/”dope” into a folder on my desktop. Then I’ll blast them one after another through my tiny ipod earphones until eventually something grabs my attention (if it doesn’t happen in the first forty minutes, put the headphones down, get some work done, and try again an hour or two later), then I’ll put it into a special folder labelled “makes the cut.” Next, I’ll shove these “Makes the cut” tracks onto my iPod in a playlist. Then, to make matters more awesome, I’ve got a “Special playlist” that randomly selects from the missingtoof tracks and provides me with two hours of aggressively remixed techno glory. Man…this is life.

Here are some links if you too want to become drenched in sleazy techno:

Okay, that’s it for now.
All the best and keeping reading the good stuff,
RK Thornwell

the chromatics

Sunday, December 23rd, 2007

hi all! 

just a quick note: i want to thank randomtypes for turning me on to chromatic’s new video “in the city.” i’ve always been very into minimalist new wave tracks like this. it brings me back to 200 or so when fischerspooner looked like they were poised to come out and swallow the world. by now i thought all music would sound like this. i especially like the amateurish production values, etc. check it out:
Needless to say i’m going to try and grab their record (“night drive”) as soon as i can.
RK

The Apes

Wednesday, October 3rd, 2007
A long time ago, in some other, alternate summer version of New York (a version without time-constraints, long before the weather had turned) we went to a really amazing todd p. show.

It was sort of a funny thing. Finding ourself back in the big city, and having dozen if not hundreds of events to choose from, we did what any self-respecting Providence kids would do and joined hundreds in going to see Providence’s reigning export (that’s “Lightning Bolt“, for you day-dreamers) play alongside DMBQ in some giant garage in Bushwyck. Top notch.

But that’s not what this post is about: Big-A-little-A opened, but so did APES, an act about whom we knew very little. At the time they came off as another spacy, psych rock band. They had an organ and a bassist but I think no guitars? The songs were the usual verse-chorus-verse fair but seemed to miander and become freeform at times. We liked them quite a bit. For some reason I was under the mistaken impression that Apes were a very new band, that they didn’t have any records, and that perhaps this was even one of their first shows. How wrong I was. Imagine my surprise when I, as I wandered one morning through Frenchkiss Records’ website discovered that Apes were in fact not only on that imprint but in fact have not one but two full-lengths already out. Should have done my research. Anyway, the free mp3s are breathtaking. A perfect medium between the minimalist glam I currently tout and my prog-rock loving college self.

Watch the Top Chef Finale Pt. 2 tonight. You know you’ll be sorry if you miss it.

Oh, all the best,
RK Thornwell